HomeGrown” Song Perspective
Dan: When we got the ball rolling, Hunch and Anon started sending out a TON of skeletons that they had done together that were unfinished. I wrote and recorded a verse to “Home,” and we dug it. However, Billy had lost all of his beats from this time period due to a hard drive crash, meaning that there was no way to properly mix this version of the song with an unmixed mp3 as the only files for the production.
We decided to send out an acapella of “Home” to different producers, asking them to remix the record, so we could include it on the project. Two DOPE REMIXES came back from Maverick aka Adrian Wilson (another fellow c/o 2001 Morehouse Brother) and Encore (who produces a ton of my solo stuff). Anyway, we decided to use both of their beats, but for different tasks. We re-recorded Home to Encore’s beat, and did an entirely new song to Maverick’s beat on the upcoming “inCOREporated” album.
I put down my re-record first, taking some liberties with the hook that Hunch had originally written by editing out just a tad bit of the profanity. When I sent it to Hunch and Anon, they decided to leave my first as the lead off (I was originally in the second slot).
Hunch: Billy had sent some beats to Anon for a session we were about to have. Cycling through a beat came up that instantly grabbed me. Anon started muttering something about home and I urged him on. Before we knew it the framework for the hook came through and I assisted on the adlibs, soon after bars came down. Fast forward a year and a half we were struggling to find a replacement for the beat we originally had because stems were not available for mix. When we found the beat we decided to each do a new hook and pick the best out the three. Dan dropped his first and the competition was over. Didn’t even get off the starting line. Can’t lie, I’m still a bit tight about that as I type this.
Anon: Tight? Let’s be honest, Dan went body bag on us! I felt like the one-hit wonder whose single gets so hot that a legend gets on the track. Problem is— a lot of guys don’t rewrite their verses and the additions outshine their originals.
Lemme explain: Dan takes the idea of home and home improvement as the parallels for his whole verse.
Mind you, these were bars Hunch and I worked on like 6 years ago. So I guess it shows staying power. Honesty, it was one of the best moments for me; knowing that as good as I aspire to be, I’m still ripe to need CSI when my brothers get to eating. And that original Billy beat was monster, but Encore came through in the clutch!
Hunch: Anon’s place in the space time continuum is never fixed so he perceives time a bit different than the rest of us. We came up with the premise for this song on my son’s second birthday. He’s four now. Four.
Dan: Might I also add that no one felt like I caught a body on the original version. It wasn’t until we did the re-record over Encore’s production that I started to hear this body bag talk! I will concede the fact that the chemistry that I have with Encore’s beats is undeniable. I let my homie DaCaptain hear this when we were filming for the Divine Suns video, and he said “there is something about when you rhyme over Encore’s beats.”
Hunch: I think it was the crispness of your delivery and the bravado you bought on you second try that sealed it. And that hook? Had me asking for you to adlib my verse with some of that flavor. The beat gave room for a better attack than the original laid back beat. Instead of getting in the pocket, we were forced to rip out of it
Dan: What’s crazy is I still feel like your verse is the perfect bookend for the song. The underlying theme of your rhyme being that you never strayed too far away from ‘home,’ yet intruders came in and got comfortable like your spot belonged to them covers a lot of ground! Think about it from the perspective of a man trying to get things accomplished for his family, or an emcee who steps away from music to deal with everyday life issues.
Hunch: That’s what I love about this song; we all had a different but relevant take on it. I was listening to this song late one night when I realized how big of a record this was. I thought this was truly showing our growth as a crew. I think this is when I also realized we might have gotten bodied. Lol
Mikchek: Though I’m not on the song this was the joint that set it off. There have actually been several circles of divine talking about reuniting over the years but Hunch, the Griot, & Billy were the only ones that actually put something down. and didn’t tell nobody I might add. It was dope to hear Hunch again because he kind of went MIA on some grown man stuff early in college and this music is and always will be home for us. I love this joint.
Hunch: Funny you say that, cause when me and Anon went with this round of recording I sent the track out knowing it was going to spark cats. Nope. No responses. I remember thinking “Ok..this might be whack.” Lmao
Dan: I know that the first time that you sent me this, I really was going to hop on the record, but I was in the middle of a ton of recording, mixing, and just LIVING. Everything does indeed happen for a reason.
Anon: Yes. Time space continuum never fixed. Always changing. I guess its cause we had so many joints in the bag, I got lost. Bottom line— I was happy with my verse; I felt like I let loose with delivery and content! So— yes, Encore helped with the bodying, but on re-listen, everybody get blood on their hands with this one!
Hunch: Anon’s verse was probably my favorite. It was colorful and descriptive and I felt he got a lot off his chest. It ran a little long but personally I didn’t care, it was the perfect set off initially. With the new version Everyone essentially switched spots which made his verse a perfect bridge to me and Dan.
Plex: My favorite lines:
“I wasn’t even home; I was with this jawn around the co’ne (corner)…”
“So I’m looking at my phone, no ring, Karl Malone…”
“Just squatting til the King reappear, man I’m standing right here, get out my mutha fuckin chair!!!”
That verse gets me amped every time, no lie.